The Best Irish Pubs for Celebrating St. Patrick’s Day Around DC

Anna Spiegel

FOOD EDITOR

Anna Spiegel covers the dining and drinking scene in her native DC. Prior to joining Washingtonian in 2010, she attended the French Culinary Institute and Columbia University’s MFA program in New York, and held various cooking and writing positions in NYC and in St. John, US Virgin Islands.There are two kinds of bars on St. Patrick’s Day: places that throw a leprechaun on the door, and real Irish pubs that celebrate with live music, dancing, and traditional food and drink. We’ll celebrate at the latter—see a full lineup below.

DC PUBS

Across the Pond

1732 Connecticut Ave., NW

Rise and shine—doors open at 8 AM for St. Patrick’s Day at Dupont Circle’s Irish sports pub (you know what they say: you can’t drink all day if you don’t start in the morning). Once you’ve guzzled breakfast, there’s live music and specials all day long. Entry is free.

 

The Blaguard

2003 18th St., NW

An Irish bar with DC roots, the Blag is a popular bi-level Adams Morgan spot for watching local sports and digging into wings and totchos (with daily happy hour specials, including weekends).  

 

Boundary Stone

116 Rhode Island Ave., NW

St. Patrick’s day food specials at Boundary Stone like Irish stew and corned beef Wellington run all weekend. Photograph courtesy of Boundary Stone.

Bloomingdale’s neighborhood pub, run by the Croke and McDonough brothers, is celebrating all weekend with specials from chef David Bacot. Doors open at 10 AM on St. Patrick’s Day for brunch and Irish breakfast. Food specials like a corned beef and cabbage Wellington run through Friday, March 22.

 

The Dubliner

4 F St., NW

The Dubliner bar. Photograph courtesy of The Dubliner.

The Coleman family-owned institution has poured Irish beers on Capitol Hill for nearly 50 years. Patrons can drop by on St. Patrick’s Day starting at 9 AM for an all-day party with live music, Irish dancing, full lunch and dinner menus (we have our eye on the corned beef and cabbage or shepherd’s pie), and Guinness. 

 

Irish Channel

500 H St., NW

County Cork native Tom Stack runs this low-key neighborhood bar in Chinatown, which offers traditional pub grub alongside Irish favorites like a “spice bag” (Dublin’s answer to fried chicken and chips) and Guinness stew. Doors open at 10 AM on St. Patrick’s Day for celebrations.

 

Kirwan’s on the Wharf

749 Wharf St., SW

Tipperary native Mark Kirwan is behind this Irish gastropub (as well as Samuel Beckett’s in Arlington). Head to both for music, Irish dancers, and Guinness specials, plus from-scratch dishes like a stellar Shepard’s pie made with braised lamb. The festivities start early— on Saturday, March 16, Kirwan’s co-hosts the Ireland on the Wharf festival with a waterfront Guinness beer garden, live music, and dancing. 

 

Kelly’s Irish Times

14 F St., NW

This self-described “quaint, sometimes boisterous” pub near Union Station has served pints and an extensive selection of whiskeys for over four decades. St. Patrick’s Day brings thirsty crowds looking for a good time.

 

VIRGINIA PUBS

The Auld Shebeen

3971 Chain Bridge Rd., Fairfax

Fairfax City’s classic Irish pub is a popular gathering place for musicians—there’s often live music on the calendar—as well as fans of home-style cooking like cottage pie or bangers in mash with brown gravy. St. Patrick’s is less of day here, more of a “season,” with plenty of live music and specials scheduled through the week.

 

The Celtic House

2500 Columbia Pk., Arlington

Drop by this stalwart pub, which opens at 9 AM on St. Patrick’s Day for a holiday brunch buffet plus hours of live music, food, beer, and Irish dancing. There’s also live music planned for Tuesday, March 12, and Thursday through Sunday evening. Reservations are recommended.

 

Ireland’s Four Courts

2051 Wilson Blvd., Arlington

This is the first St. Patrick’s Day celebration for this Arlington pub since its renovation last year. Doors open at 8:30 AM on Saturday, March 16 and on St. Patrick’s Day and they don’t close until 2 AM. Revelers can check out over 10 live bands and traditional Irish dancers. On Thursday, March 14th, you can have your Guinness pint engraved with an etching machine.

 

Ireland’s Four Provinces

105 W. Broad St., Falls Church

Cork native Colm Dillon is behind “Four P’s,”  a Falls Church staple of nearly three decades. Neighbors love it for the large patio and bar (with TVs for streaming sports) and music inside and out. St. Patrick’s Day kicks off with a kegs n’ eggs breakfast, followed by a three-course midday meal (reservations required) and live music all day long. Featured musicians include Irish folksinger Gerry Timlin and DC native Brooks Yoder.

 

Murphy’s Grand Irish Pub

713 King St., Alexandria

Old Town is home to a large Irish-American community and several pubs. This one is among the best. Listen to live music throughout this week, or sip a stout alongside bangers and mash. On St. Patrick’s Day, doors open at 9 AM and there’s more live music and dancing all day.

 

Mattie and Eddie’s

1301 South Joyce St., Arlington

Oysters and Guinness at Mattie & Eddie’s in Arlington. Photograph courtesy of Mattie & Eddie’s.

Dublin native Cathal Armstrong, author of My Irish Table, is the chef-owner of this Pentagon City pub. The food is true to the Emerald Isle–we’re fans of the all-day Irish breakfast, house-cured corned beef, and fish n’ chips. St. Patrick’s Day festivities—music, dancing, and drinking—run from Friday, March 15 to Sunday, March 17.

 

The Old Brogue

760 Walker Rd., Great Falls

The 43 year-old pub is an Irish spot for all seasons, equipped with a large patio for sipping Smithwick’s in summer and a fireplace warming the room in winter. Comfort fare goes year-round with plenty of sausages, savory pies, and stews.Doors open at 10 AM on St. Patrick’s Day ($10 cover) with live music and specials all day (ages 21 and over only). There are music and dance performances Friday and Saturday, too.

 

MARYLAND PUBS

The Irish Inn at Glen Echo

6119 Tulane Ave., Glen Echo

The Irish Inn at Glen Echo. Photograph courtesy of the Irish Inn.

The atmospheric inn is a great place to avoid green beer-chugging crowds and celebrate the holiday with family and friends. Patrons can sip Guinness at the bar, tuck into dishes like potato/leek soup, and catch live Irish music and dancing. Need holiday cheer? Watch this video with co-owner Christy Hughes as he reflects on coming to America, working at the Dubliner for 18 years, and opening his own Irish bars and restaurants.

 

Finnegan’s Wake Irish Pub

100 Gibbs St., Rockville

The independent Irish bar in Rockville Town Center is throwing a two-day St. Patrick’s Day festival that will include brunch, special drinks, giveaways, games, and a moon bounce.

 

The Limerick Pub

11301 Elkin St., Wheaton

Regulars can relax by the fire or play darts at this Wheaton pub. Doors open at 11 AM for St. Patrick’s day festivities, which include live music, and traditional Irish dishes like Guinness beef stew, shepherds pie, and fish n’ chips.. There’s a $5 cover, and it’s 21+.

 

McGinty’s Public House

911 Ellsworth Dr., Silver Spring

This gathering place in downtown Silver Spring comes from Irish-born owners, and the menu boasts a few less-common finds like an Irish “boxty” (potato-and-cheddar cake) and colcannon (mashed potatoes with cabbage).  

Mattie & Eddie’s In Arlington Offers A Fresh Take On Classic Irish Pub Fare

Irish-born chef Cathal Armstrong earned accolades for celebrating the food of his homeland at the modern-minded, upper crust Restaurant Eve and the cheerily traditionalist fish and chips shop Eamonn’s. Both Alexandria eateries are closed, but he continues to highlight his native fare at the newly opened Mattie & Eddie’s in Arlington, a farm-to-table take on a classic pub that utilizes lots of local ingredients and incorporates a sense of seasonality.

“You go to pubs in Ireland, even little dive pubs, and you get great home-cooked food,” says Armstrong. “I wanted to represent some of that, and what we ate as kids.”

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The 7,000 square foot space, with seating for 200 patrons inside and another 150 outside on the two patios, was home to another Irish bar, Siné, for nearly two decades. Armstrong remembers visiting it several times. “It wasn’t very Irish, except for the name,” he says.

Even that wasn’t exactly right. On the menu it was translated as “This is it.” The correct translation: “That is it.”

Adding insult to injury was a menu of mostly non-Irish fare, such as quesadillas, tacos, and even Irish nachos (fried potatoes dressed up with cheese, bacon, and jalapeños).

When Siné closed in January, the landlord reached out to Armstrong to see if he would be interested in taking over the space. They signed a deal in February and, after some cosmetic changes and a deep clean of the tap system, Mattie & Eddie’s opened at the end of March. “We did an eight month project in seven weeks,” says the chef.

The restaurant is named after Armstrong’s paternal grandparents, Martha and Edward, better known to those who loved them as Mattie and Eddie. Every week at their home in the Liberties section of Dublin, they hosted boisterous Sunday suppers for their children and all the relatives they could jam into their cramped dining room. “There was a big sense of family, and food was a part of it,” remembers Armstrong.

Though Armstrong is putting a lot of hours in the kitchen, the operation will be helmed full-time by chef de cuisine Casey Bauer, a veteran of Kaliwa, Armstrong’s Southeast Asian restaurant at The Wharf. The menu opens with plenty of shareable options, including chicken liver pâté, deviled eggs, and sardines on toast, a dish Armstrong used to eat with his father when they watched rugby.

Larger dishes include the requisite fish ‘n’ chips, the restaurant’s biggest seller. Made with haddock whenever possible, the fillets are battered in a mixture that uses soda water rather than beer to inspire more crunch factor. “I think beer in the batter is more English,” says Armstrong. “We Irish don’t put our beer in food, we drink it.”

The golden chips with a crackly crisp exterior and a creamy core come with seven dips – Old Bay-accented mayonnaise; curry; hot chili; Marie Rose (ketchup, Tabasco, and lemon juice); tartar; dijonnaise-esque French; and Kitty O’Shea, a mixture of capers, sundried tomatoes, and olives. The fries undergo a surprisingly lengthy and scientific process before they reach the plate. Potatoes are aged for two weeks at room temperature, which helps decrease their sugar content and increase their starches. After they’re peeled, cut, and washed, Armstrong’s team soaks them overnight to degrade the surface of the tuber, which promotes frying. They’re patted dry and fried until they’re fully cooked. For the last stage, they’re refrigerated and then fried a second time at a higher temperature.

Another “labor of love,” as Armstrong calls it, is the corned beef, which takes two weeks to make, and is served with braised cabbage and Irish Cobbler potatoes lavished with parsley-rich bechamel. Other entrees include shepherd’s pie, the whipped potatoes on top hiding lamb braised with a flurry of herbs – marjoram, thyme, and rosemary.

Restaurant Eve fans will recognize the seared pork belly served with colcannon, mashed potatoes laced with kale and onion, traditionally served on Halloween. A traditional Irish breakfast is available all day: a massive platter featuring eggs-as-you-like-them, baked beans, mushrooms, country ham, sausages, and tomatoes. The latter will only appear when they’re in season, says Armstrong, who lists the local producers he sources from on his menu.

The bar has all the Irish accompaniments you’d expect. There’s Guinness – of course – alongside taps dedicated to Harp, Kilkenny, Smithwick’s, and Magners cider. The beer list is filled out with plenty of local brews, as well as mainstream mainstays. There are some on-trend hard seltzers, a wine list that includes Old World and New World options, and a full bar with an emphasis on whiskey, scotch, and brandy.

A small store behind the host stand is stocked with imported chips and candy bars, so guests can take home one last taste of the Emerald Isle.

Rúla Búla Irish Pub and Restaurant Is Closing After 20 Years on Mill Avenue

mill-rula_bula-lauren_cusimano.jpeg

The food-and-drink scene along Mill Avenue in downtown Tempe has seen a lot of changes recently, and not just because of COVID.

Dierks Bentley's Whiskey Row and El Hefe are done, Gordon Biersch is gone, and now it appears Rúla Búla Irish Pub and Restaurant is on its way out.

Located at 401 South Mill Avenue in the colorful and historic Andre Building, Rula Bula has been in operation since August 2000, serving up Guinness from a special tap and a mix of traditional Irish fare and popular bar food like wings with Guinness-spiked barbecue sauce.

In 2019, Wexford Developments of Calgary, whose U.S. division is based in West Palm Beach, Florida, bought the Andre Building. Wexford is landlord to several other Mill Avenue businesses, including P.F. Chang's and Charlie Trumbull's.

Following the purchase of the building, Rula Bula's founder, Steve Goumas, says he requested a long-term lease from the Wexford folks — real long, like 30 or 100 years. The pub previously had a 10-year lease from 2000 to 2010, which it then extended in two five-year chunks.

Wexford said no dice on the long-term lease, offering Rula Bula in 2019 a ten-year option at a price that Goumas says was much more than it had been paying.

Sam Gordon with Wexford Developments tells Phoenix New Times that the amount of rent Rula Bula had been paying under the previous landlord was out of step with the current economy and that the two couldn't come to an agreement on what was fair.

Steve Goumas, founder of Rula Bula.

Lauren Cusimano

"In early 2019, we attempted to renew Rula Bula by offering them a 10-year option to remain in the space at what we believed was a fair market rate, commiserate with what we were renting very similar space for in other buildings we own on Mill Avenue," Gordon says in a statement. "After much discussion over several months, we were unable to agree on renewal terms with Rula, and given the impending lease expiration, we decided to go in another direction."

Rula Bula was originally told by a Wexford representative in the summer of 2020 that its lease wouldn't be renewed, Goumas says.

"The reason he gave us the first time was that he didn't feel we were a good fit for the community,” Goumas says.

But then, amidst COVID last summer, Wexford told Rula Bula the pub could stay on another year at the Andre Building. But the end of that extra year is coming up on June 30, and it's for real this time. Barring some dramatic changes, Rula Bula will soon have to pack things up. 

Goumas doesn't intend to go quietly.

“At minimum, we want to control the narrative,” Goumas says. “We don't want people to think we went out of business because of COVID, or that we just went out of business, or that we were bought out, because none of that is true.”

After taking over the Andre Building, a former saddlery and harness shop that dates back to 1888, in 2000, Goumas says the pub invested over a million dollars into its interior. The custom-made bar was shipped over from Ireland, there's custom glasswork, and the floors are well-worn white pine. 

EXPANDRula Bula will soon have to pack up its custom interior.Lauren Cusimano

There's a clause in Rula Bula's lease that allows them to "remove everything that we put in here, so we have no alternative right now but to entirely strip this pub to the bare walls, put everything into 40-foot containers like it was when it came over from Ireland, and wait to see if we can relocate and find the right building, or the right partnership, or the right restaurant group, or see what develops.”

He says he doesn't know right now if Rula Bula will stay on Mill Avenue or even in Tempe. "Everything's unknown right now."

Gordon says Wexford tried to find another spot for Rula Bula on Mill Avenue.

"Despite our not being able to agree on a long-term extension with Rula, Rula continued to voice their desire to remain in the space or on Mill Avenue, and we tried to work with them to find another space within our portfolio to relocate them, also to no avail," Gordon says. "We wish the Rula team all the best in the future."

But Rula Bula does not want to relocate to just any old building on Mill Avenue. “Rula Bula is the Andre Building,” Goumas says. “The Andre saddlery shop is incorporated into it.”

Gordon says Wexford "located a fantastic tenant for Rula's space very quickly." The rumor going around is that a concept from Pedal Haus founder and restaurateur Julian Wright is moving in. New Times reached out for comment from Wright's people but hadn't heard back as of this writing.

In the meantime, Rula Bula has launched a GoFundMe campaign to raise funds for the staff to transition to new jobs. “We want to make sure no staff gets stuck with rent they can't pay or something like that,” Goumas says. Some staff members go back 15 years. Funds will also assist in the packing, storing, and transportation of the pub’s interior. 

New Irish Pub Opens In Bay Shore

BAY SHORE, NY — Those looking to grab a drink and some Irish delicacies for St. Patrick's Day are in luck — a new Irish pub opened just last week in Bay Shore.

Kitty Mulligans officially opened on 615 E Main Street on March 9.

The new bar already launched its holiday menu for Wednesday, offering a "kegs and eggs" breakfast option with an Irish Fry breakfast from 9 a.m. to 12 p.m.

Then later throughout the day, patrons can order typical Irish dishes including corned beef and cabbage, bangers and mash, shepherd's pie and more.

Guests can call (631) 315-3571 to make reservations.

New Irish pub debuts in Round Rock on St. Patrick's Day

Easy question: What's the best day to open an Irish pub? 

Located at 4000 East Palm Valley in Round Rock, Cork & Barrel Craft Kitchen + Microbrewery celebrated its grand opening on Wednesday — St. Patrick's Day, of course. 

Cork & Barrel Craft Kitchen + Microbrewery describes itself as an authentic Irish pub experience mixed with Texas modernism, innovation and hospitality, according to its website.

"I was totally blown away by everything from the food to the architecture," said Round Rock resident Neville Stewart, one of the pub's first customers. "They truly did an incredible job with all that was done in the pub." 

Co-owners of Cork & Barrel Craft Kitchen + Microbrewery Jay Kudla and Sam Darlington say they came up with the idea for the business over pints of Guinness. 

"We wanted to blend the fun and uniqueness of an Irish pub experience with the premium hospitality and cuisine Central Texas has become synonymous with," Kudla said.

The duo said they wanted to bring both a little bit of Dublin and a little bit of downtown Austin to Round Rock. 

"We're Irish happy and Texas friendly," Kudla said.  

Kudla is the president of RS3 Strategic Hospitality, a food and beverage company that works with Dell Diamond, Circuit of Americas and the Germanina Insurance Amphitheater. 

James Joyce: Irish pub in Harbor East shuts down for good

The James Joyce Irish Pub and Restaurant in Harbor East has shut down for good amid the pandemic, a spokeswoman for the Harbor East Management Group confirmed.

The pub’s owner, Washington-area restaurateur James Fagan, could not be reached for comment.

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The pub, named in honor of the classic Irish author, opened in 2002 at 616 President St. June 16 is Bloomsday, or the day of Leopold Bloom’s life that is captured in Joyce’s “Ulysses.” It’s now celebrated annually in Dublin with pub crawls and marathon readings of his work. (Fun fact: It’s also the date of Joyce’s first date with his future wife, Nora Barnacle.)

The restaurant’s menu featured items like, “Joyce Pizza,” “Joyce Ice Cream” and “Molly Bloom’s Chicken,” and the interior was imported from Ireland.

Soon after the pub opened, The Baltimore Sun’s Alec MacGillis surmised that “Asked if they’ve read James Joyce, Baltimore’s bar-hoppers can now answer, ‘No, but I’ve been there for Happy Hour.’”

The closure comes during a pandemic that has shuttered dozens of local bars and restaurants, which have faced intermittent closures and severe limits on their operations as leaders look to stop the spread of COVID-19. In Baltimore, bars that don’t serve food have been ordered to shut down completely.

Experts say around 40% of all restaurants could shut down because of the virus.

Last call for The Mean Fiddler, beloved Irish bar in New York City

New York City has lost another of its famous Irish hostelries as The Mean Fiddler will close at the end of October.

Debbie McGoldrick Oct 22, 2020

cropped_dave_barckow_louise_barry_the_mean_fiddler.jpg

Dave Barckow and Louise Barry, The Diddley Idols, at The Mean Fiddler before the pandemic. 

COVID, combined with an unflinching landlord, meant the popular Irish pub in Times Square could no longer survive.

Michael McNamee, the Dublin-born co-owner of The Mean Fiddler pub and restaurant with his brother Patrick, is deeply emotional when speaking about the closure of his business at the end of this month.

The Mean Fiddler was the first of the six pubs he and his brother own, and unquestionably the special one. It kickstarted their careers as successful business owners and allowed them to meet people from all over the world who became customers and friends.

And now it’s just about gone. It likely would have survived the COVID restrictions still in place, but coupled with an unflinching landlord unwilling to lend a helping hand, The Mean Fiddler couldn’t last.

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It’s been 15 years since the McNamees, former bartenders themselves, established their business at 266 West 47th Street.  They were never late with the rent and were model tenants, but the landlord didn’t want to know. 

“There was absolutely no negotiating with him, no talking to him.  It didn’t matter to him how badly we were hit by COVID,” McNamee told the Irish Voice.

“I tried to explain to him that when we started off we were paying $10,000 a month, and now we’re paying $40,000 a month. It’s been the same building for 50 years. But he didn’t care. There’s no heart there at all.”

On November 1 the landlord will have an empty storefront, and The Mean Fiddler will be gone. It’s a harsh reality that hasn’t quite sunk in for McNamee.

“Life without The Mean Fiddler is something I really don’t want to think about,” he says.

But he’ll always have the memories. Before he and his brother took over the space it was a gay bar. Patrons would come looking for their old haunt but saw “pretty Irish barmaids instead," McNamee laughed.

They painted the interior yellow, eventually became a home for all kinds of music, particularly Irish, and welcomed visitors from all over the world. Three years ago, to comply with the Americans With Disabilities Act, the brothers invested more than $300,000 in upgrades like a new bar and HVAC system. It looked spiffy and shiny, but McNamee was worried that some of the regulars might not approve.

“I was pulling the last strands out of my hair thinking that people would think it wasn’t Irish enough anymore,” he said. “But it was all good. People still loved it.”

That’s true of the customers and the staff, who McNamee says are the same as family members. Dave Barckow, one half of the Diddley Idols band with his wife Louise Barry, played live music at The Mean Fiddler three nights a week for the past six years.  Its closure, he says, is “just devastating.”

“I know it’s been a weight on Pat and Mike,” Barckow told the Irish Voice. “I’ve known them for so long and watched them build their businesses. Nobody has a bad word to say about them, ever. There’s never been a disgruntled employee.  They are just great people.”

The Diddley Idols returned to The Mean Fiddler in August to provide outdoor music to the diners two nights a week. “It feels more like busking, to be honest, but it’s gone well and gets us back to what we love to do,” Barckow says.

The number of people who the Diddley Idols met at The Mean Fiddler, from all over the world, prompted Barckow and Barry to greatly increase their song offerings from Irish to basically everything out there.

“I’d see tourists and they’d be around for however long their trips were, and every night they’d make their way to The Mean Fiddler because the vibe was so good and everyone was so friendly,” Barckow says. “Louise learned to say thank you in like 20 different languages.”

Life without The Mean Fiddler, Barckow says, “won’t be good, won’t be as much fun,” especially as his own business as a live musician who also tours the U.S. with the Eileen Ivers Band has been so brutally impacted.

“It’s been real tough,” he says. “Eileen had a huge tour canceled and she also planned a Christmas tour with 20 shows. Only four of them are still on.” 

There’s uncertainty all over, and McNamee finds New York these days eerily reminiscent of the 9-11 aftermath.

“The demographics have changed significantly now, just like after 9-11. Back then New York didn’t really have loads of big chains like Ruby Tuesday or Chipotle and now they’re all over the place at the expense of mom and pops,” he said.

“The same thing is happening today with all the small businesses forced to close. There’s been a mass exodus of Irish people too. What’s left now is not a lot.”

McNamee will focus on the uncertain future. He and his brother own five other pubs/restaurants, one of which, he says, could also be closed by the end of the year.   

The announcement of The Mean Fiddler’s closure on Facebook by McNamee in a touching video garnered thousands of reactions from long-time customers, all of them sad and shocked by the loss of another New York cornerstone. Would McNamee ever consider reopening his first business – “my baby,” as he calls it – at some point in the future?


“Well, that’s really hard to say. I’d have to wait to see what the world would be like,” he says.

“And, you know, I’d have to have two very young and energetic guys to get it going. This isn’t an easy business, and the first two years you basically give up your life which is what we happily did 15 years ago to get The Mean Fiddler up and running. They were unforgettable times.”

Restaurant Industry Blueprint for Recovery

National Restaurant Association writes that 8 million restaurant workers have been laid off or furloughed since the beginning of the coronavirus.

Action Plan

Based on devastating revenue losses related to government-ordered closures, economic realities, and projections, the restaurant industry’s survival is dependent on a targeted federal government response.  An unprecedented crisis of this scale requires a targeted relief plan for the nation’s second largest private sector employer. 

Read our full Roadmap to Recovery here.

Read our letter to House and Senate leaders here.

  • Enact the Restaurant and Foodservice Industry Recovery Fund (RFIRF): The $240 billion RFIRF compensates restaurants for 1) government-ordered closures, 2) reopening “start-up” capital to meet massive challenges of reorienting the restaurant space, restocking inventory, and supplying the workplace with new safety equipment, and 3) rehiring and retraining the workforce. Any restaurant entity that has experienced a reduction in sales revenue of 25% or more due coronavirus can apply to the account, which would be administered by the U.S. Department of the Treasury. 

  • Replenish funding and fix the structural issues of the Paycheck Protection Program (PPP): Ensure restaurants can select their loan period after government restrictions end, revise loan forgiveness requirements, and restore the 10-year loan term written in the CARES Act.

  • A “Healthy Restaurants” Tax Credit or Grant Program: Federal support to help restaurants modify physical facilities to accommodate continued social distancing, enhance sanitization and employee education, and expand use of personal protection equipment and disposable products when employees interact with both customers and each other.

  • Provide federal relief for employer’s share of unemployment insurance: Temporary tax forbearance for employers should be considered from the Federal Unemployment Tax Act (FUTA).

  • Enact the “SNAP COVID-19 Anti-Hunger Restaurant Relief for You Act of 2020” (SNAP CARRY Act): Legislation from Rep. Panetta (D-CA) and Senator Murphy (D-CT) expands the Restaurant Meals Program to serve all SNAP participants during the crisis and gives the U.S. Department of Agriculture ability to temporarily waive requirements for states and restaurants to quickly participate.

  • Increase funding for Economic Injury Disaster Loans (EIDLs): Restore $50 billion in needed appropriations for organizations in economic distress, including those that need to access a second EIDL.

Urgency

An estimated eight million restaurant employees have been laid off or furloughed since the beginning of the coronavirus-related closures, representing two-thirds of our workforce – without immediate action, these losses may be permanent.

The Association estimates that restaurants will lose more than $50 billion in sales in April alone, if the existing closures remain in place through the end of the month. This loss is on top of more than $30 billion in estimated revenue lost in March.

Based on our operator survey, many restaurants have already closed their doors, with no plans to reopen. Looking ahead over the next 30 days, an additional 5% of operators anticipate having to close their restaurant permanently. Click here to view a summary of the restaurant industry impact survey.

How to Save Restaurants

Rebuilding the restaurant business requires a new model for its labor.

By Priya Krishna

Ms. Krishna is a journalist and the author of the cookbook “Indian-ish.”

Sept. 10, 2020

When the pandemic hit America’s restaurants, it was as if an anvil dropped — on a bubble.

To run a restaurant, any kind of restaurant, is a constant struggle to keep that bubble aloft. Every day is a negotiation: of labor costs, food costs, rent, insurance, health inspections, and the art and craft of creating an experience special enough to keep people coming through the doors. When the pandemic lockdown forced hundreds of thousands of establishments to close, there was no backup plan. No one was prepared for the extent of the fallout.

The restaurant and fast food industry, the second-largest private employer in the United States, collapsed overnight. At least 5.5 million jobs evaporated by the end of April, and the number of people employed in food services is still 2.5 million fewer than in February. Technomic, a consulting firm for the food-service industry, estimates that 20 percent to 25 percent of independently owned restaurants will never reopen. And those restaurants uphold an ecosystem that extends to farms, fishmongers, florists, ceramists, wineries and more. The damage has been so severe that the James Beard Foundation announced in August that it would cancel its restaurant awards this year because of the pandemic and a need to re-examine structural bias.

The most deeply affected were restaurant workers, who were either laid off so that they could file for unemployment or were asked to keep working and risk their health. These are people who often do not have access to health insurance, earn less than a living wage and disproportionately include undocumented workers, immigrants, and Black and brown people — the most marginalized people in this country.

As the country begins to open up and restaurants slowly invite customers back in — New York City announced on Wednesday that indoor dining could resume at 25 percent capacity — many of those same people are being asked to come back to work, with no change to their compensation or promises of assistance in case they get sick. (A number of restaurants have even had to close after reopening because workers tested positive for the virus.)

It’s unfathomable to imagine a country without restaurants, but even more unfathomable to imagine a successful economic recovery that doesn’t include restaurant employees. As such a large slice of the American work force, they are not only essential to growth. How we support them will be a litmus test for whether the United States can ever build a fair, equitable economy.

Rebuilding the restaurant business can’t be just about diversifying revenue streams. It requires rethinking how employers and patrons value labor, which means shifting the restaurant model to one that’s centered on workers.

The onus for change should not fall solely on restaurants. The success of a worker-centered approach, especially in the middle of a recession, requires cooperation from customers and help from government. With many restaurants now welcoming customers who are tiring of home cooking after an extended lockdown, and getting national attention by policymakers, this is the time to make a structural shift.

The restaurants best equipped to kick-start this change won’t be those that are part of larger empires in densely populated, high-cost-of-living cities like New York and San Francisco. In fact, outside the fast-food industry, many restaurants in America have only one location. These are the places that don’t have a large corporate infrastructure. They are run by a small group of people, often family members. They buy ingredients from local producers. They are the lifeblood of their communities, and for them, survival is about more than just keeping a business running.

They are restaurants like the Four Way, a 74-year-old soul-food institution in Memphis. At the beginning of March, it was racking up record sales of its fried catfish and peach cobbler. Once the pandemic hit, Patrice Bates Thompson, the owner, had to make changes fast. Like many other restaurateurs, she shifted to mostly takeout and delivery, has been buying her employees groceries when purchasing food for the restaurant and is helping a few of them cover their utility bills.

Nearly every restaurant that survived the pandemic so far has had to adjust its operations to survive. The shift to takeout is perhaps the most visible and lasting change for restaurants. Takeout and delivery services have allowed thousands of restaurants all over the country to survive, and the experience is evolving as restaurants apply their creativity to this now ubiquitous form. Seven Reasons, a fine-dining restaurant in Washington, bundles orders with cocktails in Mason jars and sends customers links to Spotify playlists to listen to while they’re eating — a lockdown-appropriate approximation of dining out. Junzi Kitchen, a mini-chain of Chinese restaurants in New York and Connecticut, was inspired by restaurants in China to design an interactive, rotating takeout menu, with an accompanying Instagram Live by the chef, Lucas Sin, explaining the story behind each dish and how to plate it. Other restaurants have turned into grocery stores, offering their premium ingredients to home cooks. The New York restaurateur Gabriel Stulman started selling meal kits out of his West Village spot, Jeffrey’s Grocery, so that customers can replicate popular dishes at home.

These innovations will certainly help restaurants to hang on in the near term, keep paying their employees and even increase revenue once dine-in service is more prevalent.

But they don’t confront the larger issue: The business model of restaurants is built on the assumption of cheap labor. One out of six restaurant workers live below the poverty line, according to the Economic Policy Institute, and the industry has an exceptionally high turnover rate — 75 percent in 2018, according to the Bureau of Labor Statistics, compared with 49 percent for the rest of the private sector. In other words, jobs in the restaurant industry look increasingly like gig work — unstable, poorly paid and with few protections for workers.

To make it worse, the practice of tipping front-of-house workers (servers, bartenders and hosts), which is deeply ingrained in the culture and business model of restaurants, creates a disparity in income between front- and back-of-the-house workers, privileges white workers, who are more likely to work in the front of the house, and fuels sexual harassment. The Bureau of Labor Statistics reports that the median hourly wage for cooks is $12.67 and $11 for servers, but the I.R.S. estimates that about 40 percent of tips go unreported, which would inflate that server’s hourly wage to $15.40.

Anakaren Ibarra-Dumovich, a former sous chef at Rye Plaza in Kansas City, Mo., said that too many restaurants are reopening without considering what relying on tips for income means for workers. If people aren’t dining out as much, she explained, tip income could fall drastically and workers could end up returning to the same job for much less money. But if you’re offered work and don’t take it, you no longer qualify for unemployment. “Either you work and risk potential exposure and make no money or you lose all of it,” she said. “It is scary.”

Devita Davison, the executive director of FoodLab Detroit, an incubator for socially minded food businesses, believes the industry needs to use this period of upheaval to think more radically. “The question is not ‘What does the restaurant look like?’ but ‘What does it mean to have a profitable restaurant?’” she said. “Because guess what, for the sake of profitability, who suffers?”

This is the harder question, and one that a few restaurants are starting to answer. One of FoodLab’s partner restaurants, PizzaPlex, in southwest Detroit, is already working to generate enough revenue to become a worker-owned cooperative, where every employee has a financial stake in the business and has a say in major decisions. For the owners, Alessandra Carreon and Drew McUsic, the goal is not to maximize profits for the two of them but to redistribute the wealth generated by their restaurant back into the community.

There are other ways for a restaurant to change its relationship with workers. Melissa Miranda owns Musang in Seattle, a restaurant she calls “Filipinx” to honor the genderqueer people she knows among immigrants from the Philippines in white American neighborhoods. She instituted a single hourly wage across the board, with a tip pool divided by hours of work. She closed Musang for dine-in service before the stay-at-home order was issued in Seattle, because many of her employees live in multigenerational homes with older family members.

She turned the restaurant into a community kitchen open two days a week, where people can pick up a free meal on a first come first served basis. Her team delivers meals three days a week, and that work is supported by donations from suppliers and customers. (About 75 percent of online orders include donations, she said.) Musang’s takeout and outdoor dining sales are buoying the kitchen’s work as well, now that revenue has returned almost to what it was before the pandemic and the restaurant is profitable again.

The pandemic forced Ms. Miranda to re-examine what it means to run a restaurant: How do you provide health insurance during a pandemic when margins are so slim? What do you do with front-of-house workers when you’re a long way from dine-in service? How can you mentor employees and encourage them to become business owners themselves?

She has made some concrete changes. She eliminated tipping and plans to offer everyone on her staff health care and retirement benefits. She has reduced the size of her staff so that she can pay them more — between $25 and $30 an hour — and spend more time on training them and teaching them about the business. “I have worked in this industry a long time,” Ms. Miranda told me. “I never had a 401(k) or benefits or anyone looking out for my financial future.” Musang, she hopes, will be different. The old-school model of restaurants is exclusively about revenue. “We didn’t build this restaurant for that,” she said. “We built this restaurant with the intent to make change.” She wants it to be the last place her employees work before they open up their own restaurant.

Francesca Hong, the chef and a co-owner of Morris Ramen in Madison, Wis., also started a community kitchen, which she and another restaurant group, Rule No. One, have expanded into an initiative called Cook It Forward Madison. The project works with nonprofits to provide meals to people in need. In turn, the nonprofits provide the restaurant with financial and technical assistance, like accounting and legal aid.

That aid, plus donations through Cook It Forward Madison, allowed her to offer 100 percent of her staff their jobs back. (About three-quarters of them accepted.) It also means that she gets to keep buying from local farms and other producers, ensuring that those benefiting from the restaurant include not just her employees, but also the broader community of workers that support it. (Ms. Hong has also become more active in the community politically; she is a candidate for a Wisconsin State Assembly seat.)

All of this effort to come up with new business models will accomplish little unless restaurant patrons understand the true costs of labor. Communication is key. Ms. Miranda, for example, has raised menu prices while trying to keep the restaurant accessible to locals. “If we were to introduce a 20 percent service charge, that would be a bit of a shock,” she said. So she has shifted the restaurant’s repertoire to more vegetable-heavy dishes, so that she can spend less on meat and more on employee compensation. The menu includes a note to customers on how the cost of taking care of employees is factored into food prices. Not being transparent with guests “is where the pushback happens,” she told me.

The rustic Berkshires restaurant, the Prairie Whale in Great Barrington, Mass., reopened in June for outdoor dining, adding a 3 percent kitchen service charge to offset the pay discrepancy between its front-of-house and back-of-house workers. Claire Sprouse, who runs Hunky Dory, an all-day cafe in Crown Heights, Brooklyn, announced in July that she was reopening the restaurant’s outdoor patio, but with no tipping and slightly increased menu prices.

The biggest argument against worker-centric systems is an economic one: Who is going to want, much less be able, to pay more for meals in the middle of a recession? And reduced capacity in restaurants will also mean reduced labor. Not every restaurant will be able to make big changes; many have always been in survival mode and lack the resources to alter how they do business. When Jacklyn Pham’s father opened Saigon Pagolac, a Vietnamese restaurant in Houston’s Chinatown, in 1989, he didn’t have a mission, she said. Cooking was simply what he knew how to do. He still does inventory with pen and paper. At the beginning of 2020, sales plummeted because anti-Chinese sentiment from the coronavirus slowed traffic to Chinatown. The restaurant did takeout through March and April, and reopened for dine-in service in May, as soon as Texas allowed it. There was no other way, Ms. Pham said. There were bills to pay.

At Monkey 68 in Roswell, Ga., which reopened to the public at 50 percent capacity in mid-May, Tay Wunn, the general manager, is focused on how to follow safety guidelines while still making money with fewer customers. Mr. Wunn doesn’t feel ready to ponder structural changes when the restaurant is making half what it did before the pandemic. He reopened because “we needed the revenue,” he said, and because so many of the employees did not receive unemployment benefits and wanted to get back to work.

Building a labor-centered model for restaurants may feel quixotic, an idea that won’t work at scale. But because most restaurants are small-scale operations, the solutions don’t need to be all-encompassing. There are many ways, big and small, that a restaurant can value labor. They can do it by eliminating tipping or switching to a cooperative model, but a new model can also mean cutting down on food waste and adding the savings to employees’ paychecks or lobbying for government policies that support workers’ and immigrants’ rights. For Ms. Thompson, of the Four Way in Memphis, it means helping her employees pay their bills while she researches health benefits packages for them.

Every restaurant should be able to find a model narrowly tailored to its workers and community, so long as there is also a broader public safety net. For an industrywide shift to take place, some government assistance will be essential. In the United States, federal assistance came via the Paycheck Protection Program, part of the emergency Coronavirus Aid, Relief, and Economic Security Act passed in late March. But the first round of the P.P.P. allocated only 9 percent of its loans to the hospitality sector, and most of it went to chains with far greater resources than independent restaurants.

In the absence of bipartisan support for more wide-reaching federal measures, especially universal health care, states and municipalities will have to step in to fill the vacuum of national leadership, as they have throughout the pandemic, to create a safety net for restaurants and workers. “The great thing about our federal system is that each state can be a laboratory to experiment with policies,” said David Henkes, a senior principal at Technomic. A tax credit for providing health insurance may work well in one state, and a stronger policy on rent relief in another. Both are policies that ease the financial and operational burden on restaurants, allowing them to invest in their workers. Because the restaurant industry touches so many parts of the economy, government assistance will help not just restaurants, but also the broader ecosystem of farms and other suppliers they work with.

With no federal reopening regulations and no official customer guidance, restaurants, workers and diners are left to make ethical calculations of their own. Close forever or reopen under unsafe conditions? Take a job in harm’s way or forfeit a paycheck? Support a local restaurant or risk a server’s health for a plate of enchiladas?

These questions all come down to labor, and the willingness of government, restaurant owners and customers to value it. More important than any specific policy is an acknowledgment that the restaurant system that we have all bought into for so long is broken. A system built to serve the privileged by hurting the most vulnerable is not a system worth having. Not in a pandemic, and not ever.

The Future of Restaurant Design Post COVID-19

4 Min Read 8.25.2020 By Frank Robertson, Marty McCauley

In a post COVID-19 world, restaurant design must evolve and adapt to the new normal. With the evolution of the hospitality design, Heating, Ventilation and Air Conditioning (HVAC) systems will need to adapt to the changing architecture. Additionally, restaurants will experience a significant shift in technology and customer service. In this article, we discuss how restaurant design is changing as a result of the COVID-19 pandemic and highlight how we must rethink the consumer-facing footprint to make the restaurant experience more sustainable and bolster consumer confidence.

Architectural Considerations in HVAC

While no mechanical system can eliminate the spread of viruses like COVID-19, the American Society of Heating Ventilation and Air Conditioning Engineers (ASHRAE) have made it clear that mechanical systems can help mitigate the risks. Good design practices should be the industry standard but better systems and equipment must be considered. Mechanical systems should be designed to enhance the Indoor Air Quality (IAQ) of the spaces they serve. Studies have shown that better IAQ relates to reduce risk of airborne viruses such as COVID-19.

Good mechanical design starts with ventilation, filtration and proper airflow relation. All help with reducing the spread of viruses. Mechanical systems should be designed to code minimum ventilation rates. However, enhanced ventilation rates should be considered. Engineers have long known that “Dilution is the Solution” when it comes to reducing indoor pollutants. In other words, the greater the amount of outside air, the more diluted the pollutant is in the space. Additional care should be taken to ensure that the sources of outside air have proper clearances from other building exhaust sources such as grease or toilet exhaust. Airflow within restaurants should flow from cleaner sources to dirtier sources – from dining areas to kitchens, restrooms to pick up / delivery spaces and more. In addition to improving ventilation, upgrading air filters with higher rated Minimum Efficiency Reporting Value (MERV) 13 filters is a good starting point. Air filters work by filtering out the particulate that airborne pollutants attach to. The higher the filtration rate, the cleaner the air being delivered to those inside the building.    

For those restauranteurs who are in a position to focus on providing an even higher degree of safety for patrons, changing the HVAC system to one that uses 100-percent outside air for make-up air and 100-percent exhaust should be considered.  Energy impact can be minimized with the use of energy recovery devices.  Properly designed energy recovery wheels or plate exchangers can recover 60-75 percent of the air being exhausted with minimal cross contamination. 

Other considerations include introducing an anteroom or restricted enclosed space for pick up/delivery personnel.  In ghost kitchens or for those where delivery/pick up is a significant portion of their business, localized exhaust or HEPA filtration in that enclosed area reduces the potential for transmission among the individuals using that space. 

Confined and/or congested areas in restaurants are also a concern. In restrooms all fixtures should be touchless and fully exhausted restroom stalls that have full height dividers will provide a more sanitary environment.  In both restrooms and near the entrance where people congregate, upper air / ceiling UV lights may be a potential consideration. 

Future restaurant designs should consider the use of Displacement Ventilation systems in lieu of traditional overhead supply systems. A traditional HVAC system uses overhead diffusers to deliver the condition air at a high velocity overhead.  The system encourages mixing of room air with supply air for an even temperature distribution. Return air is typically ducted in the plenum above the ceiling to go back to the air handling unit. While the system is cost effective and comfortable when designed correctly, the air mixing does not enhanced ventilation effectiveness. Displacement ventilation systems can enhance ventilation effectiveness when cooling. In this type of system, the supply air is introduced at floor level at a low velocity. As the air warms, it rises and is returned to the air handling unit to be filtered or exhausted out of the building.  ASHRAE studies have shown that displacement ventilation systems to enhance IAQ. The IMC recognizes the enhanced ventilation with a 20-percent reduction in zone air distribution effectiveness when cooling. 

Rethinking the Consumer-Facing Footprint

Restaurant designs of the future will be informed by low touch and high impact experiences. Brands will need to drastically decrease the number of physical touch points throughout their customer journey. Touchscreens will be left in the past and integrated technology will work to minimize angst surrounding the spread of COVID-19 and other contagious diseases but eliminating contact doesn’t mean the connection will be lost. Low touch solutions can, and should, still have a positive impact on the overall experience. 

Photo Credit: courtesy of KFC SOPAC

There are a few ways to accomplish these low touch, high impact experiences successfully: give consumers control, embrace technology, rethink the consumer-facing footprint and foster a culture for staff that leads to top-notch service. 

Giving consumers control through their own mobile devices will be vital to success. From reserving in-person dining and carryout pickups, to scanning a QR code to access a digital menu, guests should be able to use their mobile devices for every touch point within a restaurant. Handing over the control to the consumer, will help them feel safer and more comfortable. 

Embracing Different Dining Experiences

The consumer-facing footprint will look different than ever before. Dining rooms will be smaller, and the back of house will grow larger to accommodate an increase in demand for online orders and third-party pickups. Creative concepts that minimize time spent inside the restaurant will also become more prevalent. Dining al fresco will no longer be a temporary fix to social distancing guidelines, it will become a must-have for years to come. Walk-up windows and drive-thru only restaurants will also become increasingly popular for all types of food experiences from quick service to fine dining. 

Technology will save the day in many cases by eliminating the number of surfaces guests have to touch. Tabletop kiosks, manned point-of-sale systems, and self-serve drink stations will be reevaluated with touchless automation in mind. 

Finally, the single most important element to maintain these high-impact experiences will be the level of service provided. Restaurants will need to revamp their training process, create more robust development and growth programs, and offer valuable employee perks. Concentrating on the culture and service will have a significant impact on how guests view the overall experience. If customers are confident in their service, they will feel more at ease when dining out.

COVID-19: Restaurant Industry Outlook

Updated on: August 6, 2020

By Allen Wallace, awallace@sc.edu,

Covid 19 has hit the restaurant industry hard as businesses work to find safe and sustainable ways to keep serving. School of Hotel, Restaurant and Tourism Management director Robin DiPietro shares her expertise on the challenges facing owners, employees and customers in South Carolina and beyond. 

Professor Robin DiPietro spent more than 20 years in the restaurant industry.

How do things look for locally owned restaurants?

Because of the fluid situation with COVID-19 and the increasing number of cases in South Carolina and other states, things are difficult on many fronts.

With the initial shutdown, locally owned restaurants faced many issues. There was wasted food due to the short notice of the shutdown. Labor costs continued, which quickly led to layoffs and terminations. Rent and utilities still had to be paid. Government funds designated to help restaurants were difficult to come by and often went to corporations, like Shake Shack and Ruth’s Chris, rather than the small businesses they were meant to help. Loopholes prevented some locally owned restaurants from getting financial help as quickly as they needed it.

Once restaurants started to reopen in May, outside dining was OK with social distance, and indoor dining opened soon after with limits on the number of people and required spacing between tables. This challenged many locally owned restaurants because fewer customers were allowed inside. It is hard for an already small 50-seat restaurant to be limited to 15 seats and still pay its bills, labor costs and increased food prices stemming from limits in the supply chain.

Unfortunately, as the pandemic continues, the uncertainty of what will happen tomorrow has caused many owners to question how much longer they can stay open without their full capacity of customers.

The biggest challenges right now are

  • a situation that changes almost daily with the virus and infection rates.

  • fear of the virus keeping people from going out to eat.

  • the difficulty of keeping restaurants open with such a small number of customers. There is a break-even number of customers and meals sold that allows restaurants to stay open and many restaurants have not been hitting that "sweet spot" for months.

Can restaurants survive long-term on curbside and delivery alone?

Curbside pickup and delivery are a good short-term fix for casual dining restaurants, fast-casual restaurants and limited-service restaurants. However, despite the fact that delivery containers and procedures have improved over the years, it still is not an option for some menus where food temperatures and presentation needs to be precise to ensure quality.

The concern is that many restaurants are not — or were not — set up for curbside pickup or delivery because of their menu and the perishability of the food, or the fact that they used the restaurant as part of the experience of their brand. For example, Planet Hollywood is a restaurant that uses its environment and movie memorabilia as a part of the overall meal experience.

Some restaurants have very large dining rooms with rent based on the overall size of the restaurant, so switching to curbside and delivery alone is cost-prohibitive. Rent would not decrease, yet the underutilized space does not bring in revenue.

Other restaurants’ food would diminish in quality if they delivered it. For example, Ruth’s Chris’ steaks may not be able to make the 20-minute drive to your house with the same level of quality you would get in the restaurant. Upscale and fine dining restaurants count on the level of service and quality of the food as integral components of the dining experience. Picking up food curbside or having it delivered does not compare to the dining room experience.

Are some sectors of the restaurant industry, like food trucks, doing well?

Food trucks and fast-food restaurants are doing very well, all things considered. With food trucks, the main challenge is to try to keep people socially distanced while waiting in line. Fast-food restaurants are already set up for success in this environment because about 70 percent of their business occurred through the drive-thru before COVID-19. They have mastered the drive-thru, double lane drive-thru and takeout orders. Over the past 20 years, many fast-food restaurants decreased the size of their dining rooms. I believe that fast food and other segments will decrease indoor dining room size even more as time goes on.

Home delivery meal services also have been successful during this time and I believe the trend will continue. The customer gets pre-portioned meals with fresh ingredients delivered to their home, helping them make fresher and healthier meals than they can get from some of the other dining options.

Many casual dining chains, such as Texas Roadhouse, have set up drive-thru and pickup areas in their parking lots to accommodate the changing requirements.

How does the fate of restaurants affect other businesses?

The restaurant industry is integral to many businesses. Food production, farming, the trucking industry, paper products production, fishing, food manufacturing and virtually everything we do is impacted by changes to the restaurant industry.

With the shutdown of restaurants in March and April, the demand for food products dried up. Products were expiring on the shelves of restaurants, and vending machines were left empty because no one was going out. Grocery stores had limited hours and high demand for certain items such as toilet paper, sanitizing wipes, canned goods and paper products. But in other parts of the food chain, there was no longer a need for things like school system milk cartons, plates for fine dining restaurants and large quantities of cooking oil.

Food cannot be saved indefinitely and therefore production had to stop on many products until more was known about the pandemic and the potential reopening of restaurants. A system that normally worked without fail had finally broken down due to the pandemic.

What are the biggest challenges remaining?

Despite the fact that many people miss going out to eat, the restaurant industry will be slow to recover due to the inconsistencies in following COVID-19 protocol, as well as the moving target we are facing related to regulations and clear guidelines.

The big question remaining is, who can survive for the long haul? Large chain restaurants have deeper pockets and a better ability to survive financially. But the small, independently owned businesses have the advantage of being able to change their menu and marketing options much faster than the larger companies.

The biggest challenge right now is not knowing when the pandemic will end. With numbers not showing any sign of decreasing, it is hard to know when, or if, to roll back new regulations. Despite the fact that COVID-19 is not a food-borne illness, the restaurant industry has taken a substantial hit.

One step we can all take to help our favorite restaurants weather this storm is to follow health safety regulations to reduce the spread of the virus and continue to support local restaurants by frequenting their pick-up, delivery and socially distant dining options.

Molly Maguire’s Irish pub, named after Maguire’s Hill 16, coming to Fort Lauderdale

Three years and two months ago, the final foamy pint of Guinness was served, the last batch of shepherd’s pie was eaten and the bagpipes played a mournful dirge in the dim dining room of a dying Maguire’s Hill 16.

Although the Fort Lauderdale institution shut down in January 2017, another new Irish pub sharing its name is coming to Fort Lauderdale: Molly Maguire’s Pub and Eatery, slated to open this September in the rising Sistrunk Boulevard area.

At 3,240 square feet, the pub comes from co-owners James Campbell and Arthur Duffy (yes, both Irish), and will rise in the Shoppes at Arts Avenue strip mall at 550 NW Seventh Ave. Here’s what Molly Maguire’s will be: old-school, with warm wood-paneled walls, Guinness on draft, Celtic mythology glass art and a classic menu including shepherd’s pie.

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Here’s what Molly Maguire’s won’t be: a reincarnation of Maguire’s Hill 16. Former owners Jim and James Gregory aren’t involved with the pub. No former employees are affiliated, either. Not one of Maguire’s Hill 16’s recipes, brass-bar seating booths or stained-glass pub lights has been recycled.

Only the name – Maguire’s – has been salvaged.

“We just wanted to replicate the mood, the ambiance and the friendliness, which is what makes an Irish pub great,” says Campbell, also co-chair of Fort Lauderdale’s annual St. Patrick’s Day Parade. “Everyone knew Maguire’s. It was the closest you got to a real Ireland pub, a place for travelers to feel at home, a piece of the old country far from the old country. We wanted to pay homage to it. We wanted to make sure the friendly atmosphere was going to be carried on.”

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Molly Maguire’s, which also shares its name with a 19th century secret society still active in Ireland, will go under construction in late February, Campbell says. The restaurateur plans to submit final design plans to the city next week and expects four months of construction.

The new Molly Maguire's Pub and Eatery will open this fall in the Shoppes at Arts Avenue plaza along Sistrunk Boulevard. (Fort Lauderdale CRA / Courtesy)

Last August Campbell’s restaurant group, Florida Irish Hospitality, filed for a $500,000 loan from Fort Lauderdale’s Community Redevelopment Agency for build-out costs, with a total budget of roughly $1.43 million. The city approved the loan last September.

Campbell says Molly Maguire’s won’t try to copycat the other Maguire’s menu, but it will add modern flourishes, including portobello mushroom vegan burgers, wild Irish quail with fingerling potatoes and Bailey’s Irish Cream mousse. Traditional Irish staples will include a full Irish breakfast, blood pudding, and codfish and chips. American comfort food will include hamburgers, steaks and French fries.

“Twenty years ago people thought of Irish food as shepherd’s pie, or bacon and potatoes, but things have modernized,” Campbell says. “We’re getting artisanal cheeses made in farmhouses in Cork and County Kerry.”

Campbell, who runs sightseeing yacht and bus tours for Fort Lauderdale tourists in his day job, says he wants to bring another piece of Europe to his pub. He’s planning to buy a British double-decker bus, which will connect Molly Maguire’s east to Fort Lauderdale’s New River.

“We’re going to be a destination bar like the old Maguire’s,” Campbell says. “Irish travelers will come here. Tourists will come here. That’s all you need for success. That and a pint of Guinness.”

Georgetown Is Losing an Irish Pub

Say goodbye to Ri Ra Georgtown

A letter taped to the door of Ri Ra in Georgetown announces that the Irish pub is closing this month. “We have struggled for a number of years to make the business a viable one, but have come to the point of accepting that is not tenable to continue,” the closing announcement reads. The Irish chain opened on M Street in December 2013, and PoPville reported the impending closure back in December 2019.

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Beloved owner of New York's oldest Irish pub has died

THE owner of McSorley's - New York City's oldest Irish pub - has sadly passed away this week at the age of 80.

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Matty Maher, originally from Threecastles, Co. Kilkenny, was reportedly surrounded by his wife and five daughters.

The Irishman, who had owned McSorely's since 1977, had been battling lung cancer for some time.

McSorley's Old Ale House first opened in 1854 on East 7th Street in Manhattan and has become something of a treasured Irish hotspot in the city.

The tavern has maintained a distinctly traditional feel to it, with aged artwork covering the walls, sawdust littering the floor and strictly Irish bartenders behind the taps.

They stuck to their traditions to such an extent that women weren't allowed in until 1970 when the pub was legally forced to allow them in (not all traditions are worth keeping, I guess)

Maher's journey from the Irish countryside to the Big Apple is as American Dream-y as it gets.

13 years before he bought the boozer, a 25-year-old Maher noticed a car broken down on the side of the road. Inside it was Harry Kirwan, the then-owner of McSorley’s, who was visiting Ireland.

After helping him, Kirwan told Maher that if he was ever in New York, there'd be a job waiting for him.

On a whim, Maher decided to take him on the offer, and set off for the American east-coast.

Over the next decade or so, Maher rose up the ranks at McSorley's, endearing himself to the local Irish and Americans pub-goers and revellers, before eventually purchasing the place altogether.

McSorely's Facebook page, paid tribute to Matty's amazing story.

"It is with a heavy heart to share with you that our beloved Matty Maher, proprietor of McSorley's Old Ale House, passed away yesterday afternoon," read the post.

"He died peacefully with family and friends by his side singing him Irish melodies. He was fond of saying, 'It's not what you become in life but what you overcome.' He was the light and joy to many.

"From a young man who farmed and delivered meat to make ends meet, Matty left Ireland in the early '60s and through hustle and grit became a world-renowned publican," read the post.

The pub was known for it's traditional Irish vibe, with sawdust on the floor and old artwork on the walls

"When he started working at the bar, McSorley's was still a men-only establishment with dozens of flophouses within blocks from 15 East 7th Street. When they had to let women in by court order on August 11th, 1970, the bar's future was uncertain.

"And when Matty purchased the place in 1977, the city was near bankrupt and the neighborhood's future uncertain. Landlords were just walking away from their buildings, heroin was rampant, cars had to wait in lines that extended for blocks just to get gas, crime, and grime everywhere.

"But Matty left poverty back in Ireland and he was determined to leave it behind for good. He saw an opportunity and believed in the American Dream. And he loved history and all things Irish and knew McSorley's and the city could survive when so many others told him he was absolutely nuts.

"All of us who were lucky enough to have known the man will forever be eternally grateful for his generous spirit, and his compassionate understanding and forgiveness in man's folly."

McSorley's is the oldest Irish pub in New York City

Tributes have been pouring in online for a man who obviously touched more people's lives than he probably realised.

"It was and still is a home from home and a meeting place for Irish people and in particular, Kilkenny people. And if you were down on your luck, there was always an extra special welcome for you from Matty and the staff at McSorley's," one Facebook user wrote.

Another said: "People’d always ask him, 'You own the bar?'"

"He’d say, 'No, you own the bar.' The customers own it."

What a man.

UTICA, NY – Long-awaited Irish Cultural Center Nears the Finish Line

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With a late winter push that’s brought the Irish Cultural Center of the Mohawk Valley one step closer to completion, John Sullivan of John Sullivan and Sons Construction describes their progress as being “a few more nails and a couple of cans of paint” away from the official opening and grand reveal.  While that may be a tad rosy, the end of the rainbow is very much in sight.

On Sunday, Feb 17th, local media personality and past St. Patrick’s Day Parade Grand Marshal Joe Kelly took his weekly “Joe Kelly Show” on the road, broadcasting from inside the nearly-completed Cultural Center.  The show featured individual interviews with three of the more prominent figures responsible for the Center’s progress; GAIF President and counsel to the Cultural Center Peter Karl, then the man responsible for the building’s interior and exterior construction, John Sullivan (also this year’s Parade Grand Marshal), and finally, GAIF co-director, Jeff Ball. 

Standing on the hallowed ground that was once the site of Utica’s first Irish church, the 21,000 square foot Irish Cultural Center comprises a 285-seat event center capable of hosting dinners and receptions, a huge kitchen for handling the daily dinner menu as well as internal and external catered activities, parking for 130 vehicles, an Irish cultural museum, office spaces for local Irish organizations, and the pride of it all – an authentic Irish pub known as “The Five Points Public House.”  And despite Kelly’s three guests seeing the building through vastly different lenses, each echoed the same sentiment: There simply is not an Irish pub this beautiful anywhere from New York to Buffalo.

The pub, which was designed and built in Ireland and shipped to the site in three containers, boasts a Whiskey Room/Library, a huge fireplace, a traditional Irish snug, a performance stage, and an attached outdoor dining/drinking area, with its own fireplace.  The pub seats 102 throughout a large space that has been cleverly partitioned with beautiful wooden half walls and custom-designed “5 Points” frosted glass panels.

And now for the burning question: When will it open? Karl is optimistically looking at a late spring opening, but in the meantime, officials are looking at hosting some kind of event on St. Patrick’s Day.  Whenever the opening is, one thing is certain: It will have been well worth the wait.

"Irish pubs abroad can be tacky and twee. But somehow as an expat, I grew to love them"

I vowed I’d never become one of them. Those Irish who moved abroad and became more Irish than they’d ever been before. The type who spent weekends crammed into an Irish bar, listening to diddly-eye music, sinking pints of the black stuff, and getting misty-eyed while crooning along to Christy Moore. Except, then, I did. I’ve jostled with green jerseys while watching a rugby match (I’m not a fan of the sport, really, but you can’t beat the atmosphere). I’ve watched open-mouthed as, in the early hours of Christmas Eve in The Swan in Stockwell, a band of leprechauns stormed the dance floor and stripped to their shamrocked skivvies (and beyond). I’ve even gone to a Christy Moore gig. And crooned along, misty-eyed.

But stick me on the Costa del Sol, or in darkest Peru, and I wouldn’t be caught dead in an Irish bar. Many are tacky or old-fashioned, and in no way resemble the “Irish bar” I would frequent back in Dublin or Cork. On times I’ve popped in (to use the loo, I swear!), I normally encounter an inflatable leprechaun or three vying with generic Celtic-style bric-a-brac, and the unmistakable smell of stale Guinness and despair.

Many of my Irish friends agree. Yet Irish bars have endured around the world, some in the most far-flung reaches, from Mongolia to Nepal to Uganda. When Irish bar and restaurant Nuala opened in trendy Shoreditch in London late last year, it was an instant sensation. Who is drinking in them? Irish holidaymakers? The (admittedly large) diaspora? Or everyone else who is charmed by that elusive magic of “the craic”? Irish pubs are on the map “reland ay have a population of just under five million, but there are millions upon millions more of Irish descent worldwide, due in part to the Irish diaspora that peaked in the 1800s,” says Nancy Hoalst-Pullen, professor of geography at Kennesaw State University. She and her colleague, Dr Mark Patterson, have written the National Geographic Atlas of Beer – and they say Irish pubs are very much on the map. “t’s really no surprise that with the mass migration of the Irish over the centuries, cultural aspects of home came ith them,” says Professor Hoalst-Pullen. “This included the local pub, which for many was a place not only to have a pint, but to celebrate life, mourn loss, talk politics, and share gossip and news. A place where you can eat and drink and feel at home “And while the legacy of the public house has been at times commodified, there is reason for that - people want to experience a place where they can eat and drink and feel at home… a place with a particular look and feel that is welcoming, friendly, comfortable, and even reminiscent of a better time.” Irish pubs often have a few things in common. A “Guinness is Good for You” poster with the traditional toucan image; an olde-worlde till that no one knows how to open. There’s a good reason they all feel a little familiar: you can order your style of Irish bar in its entirety. Like the Ikea for bars, the Irish Pub Company offers bar owners a menu of styles to choose from, including “Shop Style”, “Victorian Style” or “Modern Irish & Gastro”. The company works in conjunction with The Irish Pub Concept, an advisory resource originally set up by Guinness for people wanting to open their own Irish bar.

An Irish pub in an instant

Donal Ballance, of the Irish Pub Concept, argues that while the Irish pubs they work with are curated, they are not inauthentic. “The Irish Pub abroad almost seems a source of embarrassment to Ireland Inc,” he says. “There have been many articles scorning McPubs and the laughable ‘authenticity’ of any pub outside of Ireland. Yet on Tourism Ireland’s site, the two biggest tourism magnets are…wait for it…. yes, pubs and the Guinness Storehouse. A significant driver behind that tourism are the great pubs developed over the past 20 years in 153 countries by hard-working but unpaid and unappreciated ambassadors.”

Ballance says the company helps Irish and non-Irish people around the world try to capture the essence of an Irish pub. “They visit Ireland, they have the pub designed and built-out professionally, they talk endlessly to people who have done it before and they gain insights into what makes a pub tick. They don’t always get it right… and we can tell from the loafing leprechauns and the over-abundance of shamrock bunting who they are.”

Read more at: https://inews.co.uk/inews-lifestyle/food-and-drink/irish-pubs-abroad-expat/

Syracuse's Kitty Hoynes: Armory Square pub offers 100,000 welcomes

The spirit of Irish hospitality was very much on display on a recent Friday evening visit to Kitty Hoynes Irish Pub and Restaurant in Armory Square. While parking our car on West Fayette Street, we were involved in a minor traffic incident. Once we settled matters out front, we walked in and were seated almost immediately. We had barely sat down when our waiter was table-side to check on us and take our drink order, remarking that we could probably use something to take the edge off.

Ancient Irish law once required all households to offer some level of hospitality to visitors, even if they were strangers. The homeowner was obligated to offer food, drink, a place to sleep and entertainment to visitors. In return, the guests minded their manners and delivered stories and songs.

Thus "cead mile failte," translated literally as "a hundred thousand welcomes," became a common Irish phrase, and hospitality a way of Irish life.

At Kitty Hoynes, the tradition lives on. The superior level of service was something we noticed throughout the dining room. Waitstaff went out of their way to explain dishes and answer questions about dietary allergies. Glasses rarely went dry and dishes were cleared without question or wait. The servers had a keen sense of when and if to make conversation, detecting whether diners were chatty or reserved.

Frankly, it was one of the finest service operations we have witnessed in the local dining scene. 

And the food was of equal quality.

Kitty Hoynes has a dozen craft beers on tap, in addition to the more well-known national brands. We started with a pint of Juice Bomb ($8), a India Pale Ale from Sloop Brewing Company in Columbia County. Juice Bomb is a Northeast IPA, a hazy, juicy variant of the hoppy IPA. The strawberry mule ($12), a seasonal drink on the menu, was one of many made with Irish whiskey. In this variation on the vodka and ginger beer cocktail, Irish whiskey and ginger beer join strawberries and muddled citrus fruit. The bar menu features 45 different Irish whiskies, including multiple single malt and reserves.

A basket of Irish soda bread was delivered shortly after the drinks arrived. The house-baked bread was dense and crumbled easily. A plethora of raisins imparted sweetness, which complimented the side of creamy butter well.

Kitty Hoynes offers an Irish twist on the traditional charcuterie plate ($15) with Irish sausage, glazed pork belly, Irish cheddar cheese, Cashel blue cheese and smoked salmon with sides of tomato relish and whole grain mustards. The dry Irish cheddar was rich and full-bodied, balancing the funky, creamy Cashel blue.

The banger had a rich pork flavor, as did the pork belly. The latter was the star of the platter. Two cubes of pork belly were Guinness and maple glazed and grilled until just crispy, rendering a salty and sweet product. 

For our entrees, we opted for more traditional Irish fare.

Kitty Hoynes makes its own Irish bangers, a traditional sausage made with pork, eggs and breadcrumbs. For the bangers and mash ($13), three of the house bangers are served over Irish champ with Guinness-onion gravy. The sausage was robustly flavored with a slight kick of hot pepper at the end. It was balanced nicely against the champ, a type of mashed potato preparation made with scallions, which was earthy and full of savory notes. The gravy imparted a salty flavor akin to a thicker French onion soup, balancing the entree's savory features.

The kitchen smokes its own corned beef brisket for its sandwiches, including a Reuben ($11) and a massive corned beef sandwich ($12). We went with the corned beef -- a 3- to 4-inch stack of lean corned beef topped with cheddar and arugula on bread with Guinness mustard. We ordered the spicy coleslaw on the side and let the smoke and spices do the heavy lifting. It's not exaggerating to call it the best corned beef we have had outside of New York City.

Dessert was on our mind, namely the strawberry shortcake special featuring strawberries marinated in liquor. Before we could order, our waiter delivered a slice of creamy cheesecake with two shots of Irish cream liqueur courtesy of the hostesses that witnessed our traffic issue earlier in the evening.

The cheesecake was a generous gesture and the final punctuation mark on an evening that started with a hundred thousand welcomes after an unlucky incident when we arrived.

Kitty Hoynes' reputation for high-quality service and food is not just something that was earned. At Kitty Hoynes, it remains the law.

The Details

The Restaurant: Kitty Hoynes Irish Pub & Restaurant, 301 W. Fayette St., Syracuse, NY 13202; 315-424-1974.
Reservations? Yes
Access to Disabled? Yes
Credit Cards? Yes.
Vegetarian Options and Allergy Information? Vegetarian menu options are available. The menu offers a disclaimer about food allergens. A gluten-free menu is also available by request.
Hours: Monday through Saturday, 11 a.m. to 2 p.m.
Cost: Two people could have brunch for $30 to $50. For our visit, we sampled as much of the menu as was reasonable. Dinner for two with beverages, tax and 20 percent tip was $95.60.

UnitedVoice: What To See, Do -- And Drink -- In Dublin: Tips From The Owners Of The "World's Best Bar"

By Heather Whitley

This article is part of our “Street To Street” series, where we ask prominent New Yorkers to share their recommendations for what to see and do in major cities around the world.

When Sean Muldoon and Jack McGarry set foot in New York City six years ago, they had a clear mission.

“The idea was to do something that no one had ever done before,” Muldoon said. “We came over here with the intention of making an Irish whiskey pub that was a world-class cocktail venue.”

But beyond offering the finest cocktails, the two Irishmen also wanted their bar to reflect the culture of their homeland.

“The thing about Irish people is that they make people feel welcome,” Muldoon said. “They’re not famous for cocktails, they’re not famous for their food; it’s basically the welcome, the charm. And I don’t think you see that anywhere else.”

Back home in Belfast, Muldoon and McGarry had worked in a five-star hotel bar called The Merchant. But Muldoon said the prim and proper and often downright stuffy atmosphere of the famous cocktail bar was not appealing.

“Some cocktail bars, like, you have to know the owner or you have to know the person in charge in order to get in,” Muldoon said. “We wanted to have an open-door policy where everybody would feel welcome.”

After two and a half years of hard work and determination, Muldoon and McGarry turned their dream into a reality and opened the doors to The Dead Rabbit, named after an 1850s Irish gang from New York. Since then, the three-level bar in New York’s Financial District has been showered with awards and recognition, including being named The World’s Best Bar in 2016.

Muldoon and McGarry may have made their name in New York, but Ireland is never far from their thoughts. Here, we asked them to share their top travel tips on what to see — and where to get the best pint of Guinness — on a visit to Dublin.

Editor’s note: This interview has been edited and condensed.

Q. What are the best places for tourists to visit on a trip to Dublin?

One of Ireland’s most infamous prisons, the historic Kilmainham Gaol opened in 1796. Shutterstock
One of Ireland’s most infamous prisons, the historic Kilmainham Gaol, opened in 1796.

Muldoon: The Kilmainham Gaol Museum. It’s close to the Guinness brewery. It used to be a jail, and there’s a museum attached to it now. When the 1916 Easter Rising, the Irish rebellion and all of that took place, a lot of people, like the Irish Volunteers back then who were caught, were imprisoned in the Kilmainham jail. And you can go see where it all happened. It’s a beautiful museum; it’s a fantastic museum.

I would go to Trinity College and see the Book of Kells. Because that book is a very, very old book, and it’s very interesting to go in and get a look at it. There’s a whole bunch of famous Irish writers who went to Trinity College.

McGarry: The Guinness Storehouse and the Old Jameson Distillery are also great places to learn about the big products that have come from Ireland.

Q. What are some of your favorite things to do in Dublin?

Muldoon: I have a love for proper Irish pubs. The thing I find fascinating when you go to some of these old pubs is that you may see a picture of somebody on the wall, and it’s a famous person. Like, we were in a bar in a place called Athy, which is near Dublin, and we saw pictures of this famous Antarctic explorer called Ernest Shackleton. And I’m asking, “Why is Ernest Shackleton — who I always assumed to be an Englishman, not an Irishman — why is he on your wall?” But apparently Ernest Shackleton was born in that area. If you ever go into a bar in Ireland and you see something on the walls, do ask what it is because you’ll find, nine times out of 10, it’s a very interesting piece of information.

Croke Park is Ireland’s largest sports arena and the perfect place to catch a Gaelic football or hurling match. Shane Lynam
Croke Park is Ireland’s largest sports arena and the perfect place to catch a Gaelic football or hurling match.

McGarry: If you are an American going to Ireland, I would definitely try to catch a Gaelic football match or a hurling match just to see the native sports in Ireland. I know Brad Pitt went to a Hurling game, and he called it the most barbaric sport he’d ever watched in his life. So it’s entertaining at the same time, you know? The big stadium in Dublin is Croke Park; it holds about 80,000 people. If you want to go and see a huge stadium and check out a game going on, definitely that would be in Croke Park.

Q. What bars do you enjoy visiting in Dublin?

McGarry: One of the first places we stop off when we go back to Dublin is a bar called The Gravediggers. It’s a very old Dublin pub, and it’s the best pint of Guinness I’ve ever had and I’ve obviously traveled extensively in Ireland. It’s just a perfect pint.

Muldoon: There’s a bar in Dublin called Mulligan’s on Poolbeg Street. I was watching a documentary one time, and the guy who owns it said he serves the best pint of Guinness in Dublin, and I thought that was a very bold statement to make. So I actually went to his bar, and he served me the pint, and it was the best pint of Guinness in Dublin!

Mulligans on Poolbeg Street has a rich, 200-year history of serving Dubliners and tourists alike. Shane Lynam
Mulligans on Poolbeg Street has a rich, 200-year history of serving Dubliners and tourists alike.

McGarry: The other place that I would recommend — this is kind of more in the speakeasy setting, or a Dublin version of a speakeasy — is a bar called the Vintage Cocktail Club, and it’s just shortened to VCC. If you’re with your partner, it’s a great place to go for a date or whatever. It’s quite intimate and dimly lit, and they do a lot of good drinks there.

 

How Irish Pubs Shaped American Communities - New York Times

How Irish Pubs Shaped American Communities - New York Times

"THERE ARE NO STRANGERS HERE, only friends you haven’t met yet” — this famous quote, widely attributed to Irish poet William Butler Yeats, must have referred to an Irish pub. Over hundreds of years, the Irish pub has evolved into a global institution that’s synonymous with hospitality, camaraderie and, most of all, community.

 

“The essence of a good Irish pub is conviviality and good conversation,” says Kevin Martin, author of “Have Ye No Homes to Go To? The History of the Irish Pub.” No matter what city you find yourself in, an Irish pub feels at once familiar and at the same time full of the promise of new friends and experiences.

“They’re everywhere. And that’s because the Irish, no matter where they are, retain a certain culture and spirit,” says Robert Meyers, who researched pubs across the U.S. while writing his book “Irish Pubs In America: History, Lore and Recipes” with Ron Wallace. “They have this gift. There’s the old saying that on St. Patrick’s Day, ‘Everybody’s Irish.’”

Irish pub

Irish pubs come in all shapes, sizes and styles, from those based on traditional Irish living rooms to Victorian salons. And each carries with its own distinctively Irish flavor.

Irish pubs gained prominence in America in the 19th century — between 1841 and 1850, an estimated 46 percent of all immigrants to the U.S. came from Ireland. Pubs were often the first stop for new arrivals fleeing the potato famine, and they served as grocery stores, banks, places for entertainment, lodging and more. Irish pubs became centers of community, a tradition that lives on today. Many of these pubs and bars have become historic landmarks, neighborhood hangouts and international destinations that bring people from all over the world together, if only for a few pints of Guinness.

Pubs Come to America

Today’s bars may owe their existence to the Ancient Romans, who set up taverns along roads frequented by travelers of all types. Traces of the earliest Irish taverns date to the 7th century, and there’s evidence of Ireland’s longest-running pub doing business as early as A.D. 900.

English and Dutch settlers founded the first taverns in America. In fact, it was English custom for a tavern to be established before churches or even forts. For the large numbers of thirsty Irish immigrants who arrived on the Eastern Seaboard in the 1800s, taverns — also called ordinaries — were often the first stop.

Pubs “just go hand-in-hand with immigration because they’re early points of contact to establish friendships and networks,” says Christine Sismondo, author of “America Walks Into a Bar: A Spirited History of Taverns and Saloons, Speakeasies and Grog Shops.”

Pubs offered Irish immigrants — often derided and discriminated against at the time — a means to establish community and, for those founding their own pubs, the chance to prosper.

The Toucan was Guinness’ most famed mascot, created in the ’30s as a playful advertising character and phased out in the ’80s. Antique Toucan posters still decorate the walls of Irish pubs around the world, and the famous bird remains Guinness’ most iconic symbol.

“Essentially it was like an embassy,” Martin says. “It was a home away from home. If you had trouble, where could you turn? You could turn to the people that you knew in the Irish community through the pubs. It was where they developed a sense of belonging.”

By the second half of the 19th century, Irish immigrants, along with Germans, had established themselves as the predominant culture behind drinking establishments. In New York, pubs established in the mid-1800s are still in operation and have become landmarks in their own right. Each proudly carries its own tradition and folklore. For example, there’s the pub rumored to be haunted by the ghosts of a murdered Confederate soldier, an early Hollywood actor and a young girl who fell victim to tuberculosis. The tradition of an eclectic clientele in these historical pubs remains even today, from theatre-goers from Canada to local businessmen. Original features also remain — an impressive solid-oak bar, collections of ancient bottles or a creaky wooden-plank floor covered in sawdust to mop up spilled beer.

You’ll even find customers reciting family tales that go back generations (possibly getting taller with each telling), demonstrating the power of the pub to foster a sense of community even through its own history.

Irish pub

In an Irish pub, new acquaintances are made, old friendships are rekindled and family lore is passed on to new generations.

The Local

As the pubs were built on community, social movements began to spring up out of bars as well. They became places where everyone could have a voice.

“Everybody’s opinion is supposed to be sort of equal, so there’s this equalizing force as well that brings people from different parts together and from different viewpoints,” Sismondo says. “That helps reduce polarization, and helps people to understand each other in a different way.”

You can find neighborhood Irish pubs — or “locals,” as they are often referred to in Ireland — in cities across the world. In New York City, neighborhood pubs in each of the five boroughs are noted for their connection to the local community in myriad ways, be it as the meeting place for the local historical society, the venue for trivia night or even as the caterer of complimentary corned beef and cabbage on St. Patrick’s Day.

The experts from the Guinness Storehouse in Dublin say the perfect pour requires patience and a certain sense of artistry. The six steps to a perfect pint take just under two minutes, precisely 119.5 seconds.

Clientele at these local watering holes can go back generations, but in up-and-coming neighborhoods, pubs are also being frequented by a hip, younger crowd. And contrary to what you might expect, the decades-long regulars don’t seem to mind.

“I think everybody’s glad to see some new faces. It keeps the bar fresh, and it’s good for the neighborhood,” says Allan Hanson, 46, who says he chooses one of two pubs in his neighborhood depending on his mood: One is closer to home and one is for special occasions.

“I know guys who’ve been coming here for more than 40 years,” Hanson says. “It’s just the local neighborhood Irish bar.”

A New Generation

Recently, a new kind of Irish pub has emerged. With a cosmopolitan and international approach, these pubs are taking traditional Irish pub essentials and adding a twist.

In many cases, they have eschewed the typical shamrock in the window in favor of sleeker interiors to appeal to younger, more urban customers. Examples include a Victorian tearoom, a traditional Irish living room complete with iron stove and a saloon reminiscent of the film “Gangs of New York,” and their decor sets them apart from other nearby bars.

Irish pubs are as known for their often whimsical and quirky names as they are for pouring the perfect pint of Guinness. References to Irish language, culture and history are common. Meaning a public fight or quarrel, Donnybrook comes from a legendarily raucous fair that took place outside of Dublin. Other fun pub names include The Stagger Inn, The Randy Leprechaun and The Dying Cow.

“Times change,” Meyers says. “I think the younger generation is coming home from work. If they’re in Manhattan, they’ve got suits on. They’re young and often on dates. They’re more interested in what’s cool.”

This sense of cool may translate to a more upmarket feel, but even the most contemporary pubs haven’t abandoned Ireland’s famous tradition of hospitality. While each may be a 21st-century take on a thousands-year-old concept, the Irish roots are unmistakable. The history and community that pubs promise continue to draw customers even if the building’s appearance has changed.

“I love how there’s such a mix of people,” says Kelsey Fraser, 26, on a visit to New York City for the weekend. “Everyone’s just here for the same reason: for some good conversation and a good time.”

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